Here is a kiwi fruit interior rendered as a full cross stitch grid. The design fills a tall rectangle and uses many small square stitches arranged in even rows and columns. The subject appears to be a sliced kiwi shown at close range, with the center placed off to the right side of the chart. Only part of the fruit is visible, which gives the composition a cropped, enlarged view.
The right side contains the pale central core of the kiwi. This area is almost white with light cream and faint gray-green stitches. The core has an irregular round shape and soft edges where it meets the seed ring. A few short stitch lines extend from the center into the surrounding flesh, suggesting the natural radial structure of the fruit.
Around the core is the ring of seeds. These seeds appear as small dark oval and teardrop forms placed in a circular pattern. Most are dark green, charcoal green, or near black. Some seeds are isolated, while others sit in small clusters. The seed ring is not fully visible because the image is cropped, but enough appears to show the typical kiwi pattern. The seeds vary in size and spacing, which gives the chart a natural look rather than a strict repeated pattern.
The fruit flesh occupies most of the chart. It is built from pale yellow-green, cream, soft olive, sage, and muted lime tones. The flesh forms broad curved sections that radiate from the center. These sections are separated by tonal shifts rather than hard outlines. In several places, elongated darker green shapes sit within the flesh, following the same curved direction as the fruit structure. The stitch placement creates a layered look with gradual color changes across the surface.
The left side of the chart contains darker background or outer fruit area. This section uses deep olive, moss, gray-green, and dark charcoal-green stitches. The tones form sweeping diagonal bands from upper left toward lower center. These darker areas contrast with the pale fruit interior and help define the rounded edge of the sliced kiwi. Near the lower left corner, the chart includes a few tiny light marks against the dark field, likely highlights or small tonal breaks within the source art.
The upper portion of the chart shows a broad pale arc crossing from left toward right. This arc appears to be part of the kiwi flesh near the outer edge, with cream and light yellow-green stitches blending into darker green sections. The transition is smooth and uses many neighboring shades rather than sharp borders. The chart relies on color blocking and shading instead of backstitch outlines.
The lower portion continues the same fruit structure with curved pale sections and scattered dark seed forms. Near the bottom right, the seed shapes become denser and darker, with several dark ovals grouped close together. The lower center includes a few pale polygonal highlight areas where the stitch colors shift to near white. These read as reflected light or bright spots in the original artwork.
The grid itself is visible across the whole chart area. Each stitch square is distinct, and the image has been converted into a chart-like mosaic rather than shown as a painted or photographic surface. There are no symbols, floss keys, numbers, or legend visible within the chart area shown here. The chart appears to be a printed or mockup presentation of the stitched result or chart preview rather than a full instruction sheet.
This chart has 150x200 stitches and 50 colors.
